Lucien Freud's rediscovered works on the auction at Christie's

Francis Outred, Christie's Head of Post-War & Contemporary Art, Europe: “'2012, the year of the Olympics, is a big year for major British artists in London, with David Hockney at the Royal Academy, Lucian Freud opening at the National Portrait Gallery in February and Damien Hirst at the Tate through the summer. We are delighted to be further celebrating this in our February auctions. Alongside the outstanding Bacon of Henrietta Moraes, we are presenting an exquisite canvas from a key period by Freud and two drawings which span his career, an incredible discovery from 1948 which fills in some previously missing biographical detail and a stunning study of Bruce Bernard from 1985. Also in the auction is a very unusual study of Henry Geldzahler, Hockney's great friend and champion, from the same period”.

Boat, Connemara is a meticulous and emotional drawing executed in 1948 by Lucian Freud, while the young artist was on holiday in the Irish countryside (estimate: £200,000-300,000).

Hummel figurines

Hummel Figurines are finely crafted and rendered by the brilliant artist Berta Hummel borned in 1909. Berta’s creations were inspired by the sights and sounds where she grew up in her rural village of Massing Germany. Hummel Figurines are timeless, treasured worldwide and passed on from generation to generation.
In 1876, Franz Goebel started a porcelain firm near the town of Oeslauby, Germany. After several years of porcelain production in the factory, Franz's son, William expanded the Goebel product line and changed the company name to W. Goebel Porzellanfabrik. Convinced that the American market would assist sales, William developed a U.S. product line and sent his 16-year-old son, Max Louis, to America. By 1911, Max Louis Goebel returned to German to move the factory into the 20th century.

Object of the day: 19th century Chinese export nodding figures

Chinese Export Nodding Figures (China c. 1800)
External Dimensions: 10.50 inch framed height (26.67 cm)

Description / Expertise: Three painted pottery figures, Chinese export circa 1800, the two larger being examples of nodding figures. The nodding figures measure 11.5 inches high and 10.5 inches high, the third figure stands 9.5 inches high.

Literature
Nodding-head figures were imported into England, Europe and America from Canton in large numbers from the 1780's. The great interest in these figures in England is derived in large part from the personal tastes of the Prince of Wales as Regent culminating in the Oriental interior achieved at The Brighton Pavilion in 1802. For a pair of nodding figures similar to these see Christies sale No. 7899, Régence to Fabergé. An Apartment by Jed Johnson. 20 May 2010. London, King Street, and an acompanying account of these figures in the European interior.

Price: £3950.00

AD antiques, the dealer specialising in British art pottery

AD antiques was formed in 1997 by Alison Davey. Alison's background is not in the fine arts; she graduated from Edinburgh University in 1995 with an MA and thereafter practiced in the field of Criminal Justice. Her last appointment was at Edinburgh prison where she undertook risk assessments and therapeutic intervention programmes with long term prisoners. Throughout her training and employment she developed an interest in the decorative arts, and during this time she began "trading" at car boot sales. This quickly developed into a passion or obsession, and for several years used her annual leave to attend and exhibit at show-ground antiques fairs throughout the UK. In 2000 Alison decided that she had to get the dealing bug out of her system once and for all; she resigned her job, moved to Staffordshire and began trading full time.

During the early years, the business retailed all manner of decorative arts including glass, metals, jewellery from the Arts and Crafts and Art Nouveau Movements. However Alison developed a particular interest in British Art Pottery. The appeal comes as much from the social and political dimension that inspired the manufacturers, as to the aesthetic quality and originality of the ceramics. The designers and factories of the era were pushing the boundaries of creativity, chemistry and design. Many of these studios were actively rebuking the machine age and supporting the social philosophers of the day who were proposing the return to local crafts, the dignity of the worker and the movement away from elaborate ornamentation to simpler lines and design.

Object of the day: Still Life by Edward Ladell

Still Life With Fruit and Bird's Nest, Edward Ladell (1821-1886)
(United Kingdom c.1821 to c.1886), Signed, Inscribed, Dated
Oil on canvas
Dimensions: 14.00 inch wide (35.56 cm),17.00 inch high (43.18 cm)
External Dimensions: 20.00 inch framed width (50.80 cm), 23.00 inch framed height (58.42 cm)

Description / Expertise Edward Ladell was perhaps the best-known Victorian still-life painter. Little is known of his personal life. Born in Colchester, he spent his early teens working for his father who was a respected coach builder. After many years working in Colchester, he moved to the West Country, eventually settling in Exeter.
Although he was an entirely self-taught artist, he developed a very distinct style of still-life most certainly drawn from the Dutch tradition. Ladell’s paintings have a Victorian richness of colour, which makes them instantly recognisable, and his consistent high quality has ensured their continued popularity. He exhibited at the Royal Academy from 1856 to 1886.