In 1720, a glasshouse was established on part of the site of the former
medieval 'White Friars' monastery, situated south of Fleet Street. In 1823. the glasshouse was bought by successful wine merchant John Powell. The firm's name was changed to Powell & Sons (Whitefriars) Ltd only in 1919, four years before the firm relocated from the City to a
new site at Wealdstone, Harrow, in 1923.
The new furnaces were lit using the flame from one of the old works furnaces. The flame had been carefully carried across London in a brazier. The company also had showrooms on Wigmore Street, and this attracted customers from both the domestic and window glass markets.
In spite of there long tradition of producing very fine art glass, the Whitefriars Glassworks is best known for its industrial art glass, which was made from the 1920's onwards and after Harry Powell had retired.
In 1923,
a new factory was opened in Wealdstone near Harrow, northwest London.
The new furnaces were lit using the flame from one of the old works
furnaces. The flame had been carefully carried across London in a
brazier. The company also had showrooms on Wigmore Street, and this
attracted customers from both the domestic and window glass markets.
In spite of there long tradition of producing very fine art glass, the Whitefriars Glassworks is best known for its industrial art glass, which was made from the 1920's onwards and after Harry Powell had retired.
Read more about Collecting Whitefriars Glass | Powell Glass by www.antique-marks.coThe most enduring and successful glasshouse in Britain, Whitefriars made stained glass, table and ornamental glass, and scientific glass. It had a reputation for innovative design and retained an identity distinct from that of other British glass making centres. A major product of the factory was decorative quarry glass which was mass-produced by moulding and printing, rather than hand-cutting and painting. This product could be used in church windows as a cheap substitute for stained glass. It was often installed in new churches, to be later replaced by pictorial windows. Most of this quarry glass was clear, printed in black and detailed in bright yellow silver staiDuring the latter part of the 1800s the firm formed a close association with leading architects and designers such as T G Jackson, Edward Burne Jones, William De Morgan and James Doyle. Whitefriars produced the glass that Philip Webb used in his designs for William Morris. The firm’s production diversified in the 1850s to include domestic table glass after supplying the glassware for William Morris's Red House.
New production lines such as opalescent glass proved to be extremely successful. The firm took part in major exhibitions around the world. Designs were copied from historical Venetian and Roman glass found in European museums and art galleries. Harry Powell, an admirer of Ruskin delivered numerous lectures on glass manufacture.
James Humphries Hogan (1883–1948), a designer with the firm, had the most impact on Powell & Sons. Hogan was apprenticed to the Powell & Sons firm at the age of fifteen, and it was the sole employer in his career. He designed extremely important windows for many cathedrals in England, and the finest of these are the two windows in the great central space of Liverpool Cathedral and the windows in St. Thomas Church, Fifth Avenue, New York City, which were fabricated between the World Wars. His influence in the area of stained glass is legendary, and his designs for tableware and serviceware, including the stemmed glassware he created specifically for the British Embassies over all the world, are without peer.
In 1962 the company name was changed back to Whitefriars Glass Ltd. and specialised in freeform domestic glass ware until its purchase in 1981 by Caithness Glass.
The new furnaces were lit using the flame from one of the old works furnaces. The flame had been carefully carried across London in a brazier. The company also had showrooms on Wigmore Street, and this attracted customers from both the domestic and window glass markets.
In spite of there long tradition of producing very fine art glass, the Whitefriars Glassworks is best known for its industrial art glass, which was made from the 1920's onwards and after Harry Powell had retired.
In spite of there long tradition of producing very fine art glass, the Whitefriars Glassworks is best known for its industrial art glass, which was made from the 1920's onwards and after Harry Powell had retired.
Read more about Collecting Whitefriars Glass | Powell Glass by www.antique-marks.coThe most enduring and successful glasshouse in Britain, Whitefriars made stained glass, table and ornamental glass, and scientific glass. It had a reputation for innovative design and retained an identity distinct from that of other British glass making centres. A major product of the factory was decorative quarry glass which was mass-produced by moulding and printing, rather than hand-cutting and painting. This product could be used in church windows as a cheap substitute for stained glass. It was often installed in new churches, to be later replaced by pictorial windows. Most of this quarry glass was clear, printed in black and detailed in bright yellow silver staiDuring the latter part of the 1800s the firm formed a close association with leading architects and designers such as T G Jackson, Edward Burne Jones, William De Morgan and James Doyle. Whitefriars produced the glass that Philip Webb used in his designs for William Morris. The firm’s production diversified in the 1850s to include domestic table glass after supplying the glassware for William Morris's Red House.
New production lines such as opalescent glass proved to be extremely successful. The firm took part in major exhibitions around the world. Designs were copied from historical Venetian and Roman glass found in European museums and art galleries. Harry Powell, an admirer of Ruskin delivered numerous lectures on glass manufacture.
James Humphries Hogan (1883–1948), a designer with the firm, had the most impact on Powell & Sons. Hogan was apprenticed to the Powell & Sons firm at the age of fifteen, and it was the sole employer in his career. He designed extremely important windows for many cathedrals in England, and the finest of these are the two windows in the great central space of Liverpool Cathedral and the windows in St. Thomas Church, Fifth Avenue, New York City, which were fabricated between the World Wars. His influence in the area of stained glass is legendary, and his designs for tableware and serviceware, including the stemmed glassware he created specifically for the British Embassies over all the world, are without peer.
In 1962 the company name was changed back to Whitefriars Glass Ltd. and specialised in freeform domestic glass ware until its purchase in 1981 by Caithness Glass.
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